This contrast probably has less to do with any sort of trend ... season specialty release winners: On Oscar weekend, Oren Moverman’s “The Messenger” hit $1,006,655 at the box office.

The four-day estimate for the IFC Films biopic of Empress Elisabeth of Austria – known as Sisi — is $37k, a PSA of $18.5k. “We are so proud of the journey Corsage has been on as it continues ...

Wes Anderson's The Phoenician Scheme is now the top grossing limited opening of the year with an estimated $570k at just six ...

Oscilloscope Labs is seeing an estimated box office of $46k for Matthew Rankin’s Universal Language in week 2 on 24 screens from 2 for a cume of $97.2k. Greenwich Entertainment premiered Griffin ...

There have been few glimmers of hope for the struggling specialty box office, but indie distributor A24 served one up this weekend, reporting $360,000 in grosses for “The Whale,” giving it an ...

But in what was supposed to be the specialty box-office’s comeback year, and with Everything Everywhere the only movie remotely on that path in 2022, it’s looking increasingly, dangerously rare.

Among the specialty films vying for top Oscar honors, Darkest Hour is the top earner to date, commanding $53.6 million at the U.S. box office and $78 million for a global total of $131.6 million.

Christmas Day will bring a cluster of specialty titles to the box office, but some films got a head start this weekend. Leading them is A24’s “The Brutalist,” which opened on four screens in ...

With an estimated $150k Sunday — for a cume of $939k — it as no. 10 at the domestic box office. The UK-based distributor’s collaboration with Hasbro was also out with Peppa Meets the Baby ...