On Thursday evening April 24, users of the DGA website may experience service interruptions due to a scheduled maintenance.

DGA Members, click here for information about the 2025 DGA Annual Membership Meetings to be held in Los Angeles on Wednesday, ...

The DGA has network staff and freelance agreements with ABC, CBS and NBC, and also has many individual agreements with local television stations. If you have any questions regarding any of the below, ...

Robert Markowitz discusses his career as a director of movies for television and feature films. He also describes the role the DGA played in his career and the importance of the Guild’s support of the ...

The National Commercial Agreement (NCA) covers projects made under an agreement with the Association of Independent Commercial Producers, Inc. (AICP). This contract applies to Directors, Assistant ...

The DGA has flexible agreements designed for Reality Television productions. Listed below are a few of the facts about the Reality TV Agreements. The experience that DGA members bring to a production ...

This section contains DGA agreements, including the Basic Agreement (BA), Freelance Live and Tape Television Agreement (FLTTA), and Commercial Agreement. It also contains the DGA Creative Rights ...

Vallée discusses why it is important to him to be able to capture unique camera angles, even when they partially obscure the actor, as these "imperfections" can draw audiences deeper into the story.

Vallée describes shooting a scene on Wild that is emblematic of his style, which includes utilizing natural light as much as possible.

Vallée reveals the deep personal connection he felt when he first encountered the source material for Wild.

Director Bethany Rooney describes her process of outlining a script during prep to ensure that she understands every dramatic beat before a shoot.